research 2026-10-19 - the tells for episodes 9, 10 and 11 (shorts register)

read first: bible/ADDENDUM-THE-SHORT-BOOK.md. This is the 0 register for three short positions: each row is graded (A primary or institutional, B several independent secondary, C single or secondary-only, D commentary), marked literal or metaphor, and carries the date it was retrieved (2026-10-19). Only cleared rows (A, B) may be stated as fact on screen; C rows are texture until re-verified. Real people, brands and companies in this file are research only: nothing here puts a real name on screen (MEME-BIBLE 31; rule 31). Every row needs re-checking at writing time.

Episode 9 - The Dead Man's Switch (market: legacy / estate / catalogue)

| claim | grade | literal / metaphor | source (retrieved 10-19) |

|---|---|---|---|

| A record-company group was reported in exclusive talks (May 2026) to buy a catalogue-holding company with rights to 45,000+ songs for roughly $3.5-4B through a joint venture with a sovereign wealth fund | C (Bloomberg, unnamed sources, terms may not be final) | literal | bloomberglaw.com "Sony to Pay Almost $4 Billion for Bieber, Neil Young Catalog" |

| A major producer's estate sold select recorded and publishing assets (and a TV participation) to a catalogue investor (Q1 2026) | C (a trade item via a roundup) | literal | synchtank.com "music publishing catch up q1 2026" |

| A jazz trumpeter's publishing catalogue was reported acquired by a catalogue investor, expected price $40-60M (date not confirmed as 2026) | C | literal | newindustryfocus.com |

| Estates are licensing dead performers' voices and likenesses for AI (an estate-approved synthetic performance in a 2026 film; an estate-licensed voice agreement with a voice-AI company) | C (trade/aggregator pages) | literal | vitrina.ai, tribune.com.pk (2026-07-21) |

| Law: 2026 performer-union rules and California statutes require estate consent for commercial AI replicas of deceased performers; they are weak against private, noncommercial recreations by a family member | C (an estate-planning primer, April 2026) | literal | elderlawanswers.com primer |

Reading: the estate is now an asset class with a voice. The show's switch ("i set one . forgot it was there . still here .") fires on its own; the cabal's move is to acquire the estate; Cardboard is the executor. Gap: no dated item on platform account inheritance was found; search "inactive account manager" / legacy-contact policies if the episode needs it.

Candidate tell (for KB's line engine): "the estate has a voice now . the voice has a licence . nobody asked the cat ."

Episode 10 - Smack Pack (market: property / "the wall")

| claim | grade | literal / metaphor | source (retrieved 10-19) |

|---|---|---|---|

| Murals honouring community figures were painted over after the buildings were sold or developed: Philadelphia (a mural of an LGBTQ activist; the developer and a mural arts programme later agreed on $650,000 toward a tribute), Baltimore (Patterson Park), Chicago (Pilsen, a former community centre), Indianapolis (Fountain Square, an owner's attorney called it a mistake), San Antonio (a mural honouring local musicians, whitewashed), Austin | B as a pattern (several outlets, several cities); C on each individual date (not confirmed as 2026) | literal | 6abc.com, cbsnews.com (Baltimore, Chicago), wishtv.com, sanantonioreport.org, austinchronicle.com |

Reading: "gice tries to buy the wall; DiJared paints over the offer" is the same event run backwards: the wall refuses the buyer. The short is on property as pointer (a wall priced as frontage while its worth is what is painted on it). Verify dates and pick one case's public record before anything is quoted. The show draws no real mural, building or developer.

Candidate tell: "the wall was sold . the wall already knew ."

Episode 11 - The Most Expensive Record (market: collateral / valuation)

| claim | grade | literal / metaphor | source (retrieved 10-19) |

|---|---|---|---|

| Global recorded music revenue was about $31.7B in 2025, up 6.4% (IFPI Global Music Report 2026, published March 18, 2026); streaming about 69.6% | B (IFPI via several trade outlets agreeing) | literal | musicbusinessworldwide.com, musicweek.com, digitalmusicnews.com |

| A leading AI lab raised $122B at an $852B post-money valuation in March 2026 (company-stated) | C (secondary aggregators) | literal | simplefunctions / manifold / tracker pages |

| The same lab was reported (Oct 12, 2026; early talks, terms could change) seeking $30B+ at about $1.4T pre-money; reported run-rate revenue about $50B (end of September); CEO said no IPO in 2026 | C (deal trackers; original wire not checked) | literal | traded.co, propakistani.pk (2026-09-30) |

| Jazz share of listening: no sourced 2025 figure found. A page cites about 1.2% of global on-demand streams to Luminate; unconfirmed | D | literal | voxbooster.com (do not use) |

| The site's own bit ("openai is worth $157 billion . the entire jazz industry generates $200 million per year") is stale: the $157B figure dates from 2024, and the $200M jazz figure has no source in the repo | - | - | writing/SITE-REHYDRATION.md |

Reading: one reported funding round (about $30B) is roughly the entire global recorded-music industry's annual revenue ($31.7B). That is the sharper, checkable version of the site's bit and it keeps the form: two numbers, no comment. Candidate tell: "$30B . one round . the whole recorded music industry made $31.7B last year . we are monitoring the situation ." (Cardboard's phrase). Before use: confirm the funding figures against the original report or company statement; confirm the IFPI number against IFPI's own release; drop the jazz-share line unless Luminate's report supports it.

Method note

These searches were quick and standard-depth; they are leads graded honestly, not final verification. The worm lane should re-run each row before an episode is written, and the 0 register in the episode's short block should cite only rows that have reached A or B.